GARY GERATHS (USA)
IN THE THICK AND THIN OF IT – USING GOUACHE AND WATERCOLOR PENCILS
The objective of this workshop will be to explore the possibilities
and process of layering gouache and colored pencils together to
achieve unique textures and a wide array of color effects in your
artwork. During the class we will be applying think and thin paint to
quickly “shape-weld” a composition together with opaque values and
color. As we move through building the images we will add selective
areas of gouache/watercolor and pencil to explore problem solving,
suggesting form, lighting a scene and making the most out of those
pesky “mistakes” all we urban sketchers run up against. Especially
important will be at the conclusion where we will discuss moving and
shifting focal points and textures and the best way to use various
techniques to describe your artistic vision.
GARY GERATHS is a Southern California based artist currently an art
professor at Otis College of Art in Design in Los Angeles. He teaches
Landscape Drawing and Painting, Life Drawing and Animal Drawing &
Anatomy (a subject he has published two books on) and several other
classes. Gary has also worked in the entertainment industry at
companies such as Disney, DreamWorks and various game studios. Gary
has also taught several Urban Sketchers 10X10 workshops on subjects
such as compositional design, color in light and crowds, figure &
portrait and put those subjects to use as a courtroom sketch artist.
Currently his passion and focus is on travel, exploring and
discovering new unique locations to get inspiration to draw and paint.
These locations vary from Tibet, Nepal, China, also throughout Europe
and extensively in the vast wilderness areas of the Western United
States from Alaska to Baja California.
garygerathsart.com [http://garygerathsart.com]
instagram.com/garygeraths [http://instagram.com/garygeraths]
MATERIALS LIST:
* Paper-Cold Press –A rougher surface but use your own
sensibilities as to what works for you. Paper should be fairly thick
to take lots of paint and pencil scribbling.
* Sketchbook – For thumbnail comp sketches or watercolor paper book
with protective covers.
* Paint- Gouache if you already have a selection that’s good but
primary colors and earth colors should suffice though watercolor would
also work well and to keep the budget down. Make sure you bring a tray
or palette that can contain pools of paint and have a good mixing
area.
* Brushes – Medium to large (3.8 cm to .635 cm) flats, chisels and
rounds. A good of assortment of different brushes would be good to
experiment with.
* Pencils – Bring a good selection of watercolor/aquarelle pencils
– especially warm and cool colors with well saturated hues. Also
include some regular Polychrome colored pencils with vibrant and earth
colors that hold their lines on wet paper
* Water Jug/Container – A good sturdy plastic, collapsible cup or
bowl and a bottle/jug to carry out to the workshop site (we may be
somewhere where freshwater isn’t available). PLEASE no glass cups or
containers.
* Clips – Spring loaded larger clips so you can attach your loose
paper to a board or hold sketchbook pages down in a wind.
Townsville Sketchfest
JUNE 5 - 7, 2020
If you've ever wanted to draw in a community, learn to draw or are
looking for something new then join us for three days of drawing in
Townsville and its surrounds. Grab your sketchbook, pens and come
sketch for winter in the tropics.
Your ticket includes a choice of two workshops led by artists: Gary
Geraths (USA), Gai Copeman (Townsville), Eleanor Doughty (USA), Gerald
Soworka (Townsville), Vincent Desplanche (France), Peter Rush
(Sydney), Carole Howlett (Townsville) and Ron McBurnie (Townsville).
In addition, it also gives you access to:
* Official TOWNSVILLE SKETCHFEST launch in conjunction with
PECHAKUCHA 20 X 20 event (includes artist talks by each of the
workshop tutors in PechaKucha's iconic format)
* Saturday sketch walk
* Sunday sketch walk
* Eat, Drink & Draw event
* Closing event
See below for the full schedule of TOWNSVILLE SKETCHFEST, workshop
briefs and biographical information on each artist. See the "details"
section of the ticket for more information about the listed events.
*please note the USk Townsville sketch walk on Monday 8 June that you
may also like to join.
RON MCBURNIE (TOWNSVILLE)
WHITE ON BLACK: DRAWING THE LIGHT USING A DIP PEN WITH WHITE INK ON
BLACK PAPER
This workshop will introduce the materials, processes and approaches I
use when I work with a dip pen with white ink on black or darker toned
papers. It will primarily focus on adapting these techniques to an en
plain air drawing of trees. During the instructive workshop I will
also show and talk about a selection of work I have made using the
same process.
RON MCBURNIE is a practicing artist and educator who lives in
Townsville. Although his work and research relate strongly to the
tropical environment of North Queensland where he lives, he also draws
inspiration from an earlier tradition of British and European
printmaking and painting. Ron has an extensive exhibiting history with
more than 30 solo and touring exhibitions and over 100 group
exhibitions. He has received numerous awards and grants including the
Fremantle print prize, and of the Australia Council overseas studio
grant at the Cite' International des Artes Paris. Ron has travelled
extensively and has been Artist-in-residence at Alayrac France
(2009-11-13-16) Carleton College Minnesota (2006), Frans Masereel,
Centrum Belgium (2004),(2011), ANU Canberra (2001-02-04-07-10-14) as
well as the National Art School Sydney (2010-2011). Ron’s artwork is
represented in many Australian regional gallery collections, most
major Australian State galleries and the National Gallery of Australia
and Parliament House Canberra.
http://www.ronmcburnie.com/ [http://www.ronmcburnie.com/]
MATERIALS LIST
* A dip pen holder with post office nib or similar
* Art Spectrum permanent white drawing ink (most drawing stores), Dr
PH. or Martins Bleed Proof white (available through Amazon Australia)
* Black or dark coloured paper suitable for drawing. Papers such as
Canson Mi-tientes or similar are good. I use Mi-Tientes black pastel
drawing A3 pads which have a cardboard back and contain 15 sheets. Any
dark colour drawing papers will also work
* Drawing board clamps etc
* Water container/ small bucket jar etc,. with water
* Small mop brush for diluting or carrying water to inkwell.
* Small blade (such as a scalpel used to remove unwanted lines)
* a hat, sunscreen and chair
VINCENT DESPLANCHE (FRANCE)
BREATHE LIFE INTO YOUR SKETCHES
How do you combine figure drawing and landscape in urban sketching ?
This workshop aims to demonstrate that drawing people and landscapes
are not so different. First, you will be taught few tricks for
sketching people. Then, you will go from the figure to the landscape
and see how to compose a sketch combining both. The second part of the
workshop will be a brief introduction to the colour which you will
then apply to your compositions.
I imagine this workshop as a progression from drawing to colour; from
the people to the scenery. The two exercises will be of the whole
workshop experience. The goal of the first part is to find a starting
point from which to draw things quickly and be able to capture moving
things. The aim of the second part is to present a method where
colours can be successfully added into drawings. Too many sketchers
suffer from a colour complex whereas they have a fantastic inner
colour world.
VINCENT DESPLANCHE is an illustrator, watercolorist and print maker,
graduate from École des Beaux-Arts of Lyon 1991 and the École des
Arts Décoratifs of Strasbourg (diploma of illustration) in 1993, who
was mentioned for the quality and versatility of the work. After
several years (1994-2002) as a concept artist in video game industry,
Vincent worked as a non-fiction children books illustrator until 2015.
Today he mainly creates illustrations for books, museums and
communication prints about nature, wildlife, tourism and heritage with
his associates of the artist collective Boraldes.
Since 2010, he is one of the main correspondent of Urban Sketchers
France, he organizes Sketchcrawl meetings in Toulouse, his hometown,
and teaches watercolor and drawing workshops in France and
Switzerland. Vincent regularly participates to exhibitions in France,
Belgium, Switzerland and Italy. His favorite topic is undoubtedly
mountain landscapes. He loves to walk and climb the slopes and capture
this imprint with large brush strokes in the pages of his sketchbooks.
Woodblock printmaking, according to the Japanese process of Moku
Hanga, has become an obvious outlet to his sketch work.
www.vincentdesplanche.com [http://www.vincentdesplanche.com]
https://vincentdesplanche.blogspot.com/
[https://vincentdesplanche.blogspot.com/]
https://www.flickr.com/photos/vincentdesplanche/
[https://www.flickr.com/photos/vincentdesplanche/]
MATERIALS LIST
* Waterproof ink pen, biro or pencil (no eraser required)
* Watercolour box set, colour pencils and markers
* Sketchbook A5 or A4 landscape watercolour or a mix-media paper
200gsm
* All-purpose sketchpad or copy paper for quick line sketch
ELEANOR DOUGHTY (USA)
DRY AIR: ATMOSPHERIC PERSPECTIVE IN MIXED MEDIA
Learn how to play within the rules of atmospheric perspective to
create an interesting, vibrant sketch! This class will instruct
techniques to push back and pull forward different layers in a
composition by taking advantage of different attributes of our drawing
tools, with an emphasis on dry media. By using pens, watercolor
pencils, crayons, markers, etc. in tandem, we will learn how to create
a clear, interesting drawing imbued with the sketcher's unique
perspective. Participants will find new ways to think about their
tools, as well as composition.
ELEANOR DOUGHTY lives in Seattle, Washington, U.S.A. and has worked as
a full-time freelance artist since 2017. Her clients include Hilton,
Kroger, Marriott, Microsoft, Penguin/Random House Publishing, and
VICE. She has also been commissioned to create large-scale works on
the east and west coasts of the U.S.A in the style of her urban
sketches and landscapes. Eleanor taught workshops at the Urban
Sketchers Symposium in Amsterdam in 2019 and is a correspondent for
Urban Sketchers Seattle.
edoughty.com [http://edoughty.com/]
instagram.com/herbcoil [http://instagram.com/herbcoil]
MATERIALS LIST:
* 2-3 sheets of paper around A4 size. 300gsm (hot press, not
textured)
* a sketchbook/notebook for small thumbnail sketches
* a wide range of drawing tools (don't be afraid to bring a lot of
stuff!). Bring several in the same color range (e.g. all blues, all
sepias, all grayscale, etc) — some in lighter shades and some
darker, but several around the same hue. For example: blue ballpoint
pen, light blue marker, dark blue watersoluble crayon/pastel, medium
blue watercolor pencil
* Consider bringing a few water soluble tools, such as watercolor
pencils, to play with softening areas
* Media that can make white marks –– such as a paint marker,
correction pen, white-out, acrylic, white gouache, gel pen, etc
* Some kind of broad-tipped media that can color a lot of paper fast
— A watercolor set & a large brush is probably the best tool. But we
just need something that makes marks wider than ~3cm per stroke, e.g.
a big paint marker
PETER RUSH (SYDNEY)
STREET BUSYNESS AND URBAN SPACES
In this workshop we will put our sketchbooks aside and do our best not
to be possessive about our work. The intention is to draw freely and
release some inhibitions to reflect all the dynamics of city life. We
will be sketching urban spaces on loose plain paper and the reverse
side of cardboard packaging, particularly cereal boxes. The colour and
texture of these boxes enhances colour pencil sketches. Also the
mechanical form of the box cutout perfectly expresses the urban world.
We will let our hands go free, do our best to get away from the
carefully rendered line. With pen and pencil we will quickly draw the
urban spaces we encounter. We will observe urban space and then
drawing everything in it. - more energy, less labour, allow your
spirit and character to show in your work - not to look at objects in
isolation, see that everything is interconnected.
Capture the mood and energy of a space. This space can be anything, an
intersection of streets, the dead end of laneway, the long space of a
shopping arcade with all its jumble of signs. It could be clusters of
people at a busy shop counter. Allow yourself to get caught in busy
juxtapositions of busy streets, capture the moment. Draw all the mess,
the signs, traffic lights, the ornate facades, car clogged streets in
one glorious whole.
The workshop will involve 3 exercises each evolving to culminate in a
complete final work. To begin I will led the group on a short walking
tour to show and explain the urban spaces I am observing from an
architectural point of view and my perception of understanding these
spaces. This is to introduce to the group how I observe the city and
what inspires me in my urban sketching. We will return to those
visited spaces for our exercises.
PETER RUSH is a Sydney based architect and artist whose drawings are
essentially architectural, not in an analytical deductive way, but
focusing on the mood and energy of a space. He particularly enjoys
drawing what are normal familiar streets, places that local people
will know and recognise but represented in a spatially dynamic way
they may not have previously considered. Peter is not precious about
his work as he prefers to record a moment. He is very flexible about
how he draws and often uses opened boxes and coloured pencils. Cereal
boxes are good quality card and allow him to use lighter colours more
effectively. He sees the form of opened boxes frame that emphasises
the mechanical nature of our cities.
www.instagram.com/peter_rush_drawings
[http://www.instagram.com/peter_rush_drawings]
MATERIALS LIST
* Pigment Ink Pen - minimum 0.5mm drawing pen. Suggested brands,
Artline Drawing System or Rotring Tikky Graphic. Or a medium or broad
nib fountain pen.
* Graphite pencil - minimum 2B, can be up to 6B
* Colour pencils: Prismacolor or Derwent Drawing Series recommended
* Paper / cardboard: Good 200 gsm white paper, found paper on the
streets, recycled packaging like cereal or biscuit boxes.
GERALD SOWORKA (TOWNSVILLE)
SPLASH AND SPLATTER
This workshop will be a combination of expressive mark and colour with
precise observational drawing. We will be exploring the versatility of
the humble Biro combined with watercolour washes that go beyond
colouring in and realistic colour.
An exhibiting artist with over 25 years experience teaching art to
adults, GERALD SOWORKA'S primary focus has been on drawing in all its
forms. His main subject has been the human figure and the exploration
of embodiment and being-ness. He has work in several regional
collections and the State Library of Queensland. He thinks
observational drawing is a skill up there with the three Rs and should
be a fundamental of the education system.
He’s currently a slow, sketchbook-powered traveller based in
Townsville and part of the Drawn to Bali team that takes people on a
seven day sketching intensive workshop in exotic Ubud.
www.drawntobali.com [http://www.drawntobali.com]
http://canetoadhunter.wix.com/canetoadhunter
[http://canetoadhunter.wix.com/canetoadhunter]
MATERIALS LIST
* basic watercolour kit
* two blue ballpoint pens
* 2B pencil or coloured pencil,
* heavy cartridge or better paper (smooth, hot pressed)
CAROLE HOWLETT (TOWNSVILLE)
DOWNRIGHT DRAWSOME
In this workshop we will use dry medias including pencil and conte
stick to capture an iconic Townsville view. The workshop will focus on
capturing shape and tonal contrast in order to create quick,
expressive and confident drawings. With tone and a variety of mark
making techniques we can enhance your sketches to create strong, bold
drawings.
CAROLE HOWLETT has lived in Townsville for many years now, after
moving over from the UK. She works in charcoal, pencil, pen, acrylic,
oil, or sometimes a mixture, whatever the tool, Carole finds drawing
to be a great leveler, as she believes that no matter what your
background, or personality is drawing has its own universal language.
"Whatever I’m portraying whether it’s a landscape, cityscape,
still life or the dog, I like to think I do it justice when portraying
its strengths. I like to try and grab hold of my first impression and
record it as quickly and directly as possible. I love to strip
something back to its core, dismiss all of the nitty gritty detail and
render what I find important. The result is often kind of a semi
abstract style but still recognizable and mine. I really enjoy the
decision making process while painting or drawing, learning to trust
my instincts when I feel the need to take risks with what I hope will
work. "
MATERIALS LIST
* A3 sketch pad or paper (Cartridge paper, 120 gsm)
* Pencils (HB ,4B, 6B)
* Conte Sticks (one black, one white)
* Smudging stick (paper stump) size 6
* Eraser
* Pencil sharpener or sharpening knife
* Drawing board
SCHEDULE OF EVENTS
FRIDAY 5 JUNE 2020
5 - 6 pm: Registration at Drill Hall Studio
6 for 6:30 pm: Official Townsville Sketchfest launch in conjunction
with PechaKucha 20 x 20 event
SATURDAY 6 JUNE 2020
8:30 am: Briefing at Drill Hall Studio
9 - 11:30 am: Workshop
2 - 5 pm: Sketch walk (departs from The Drill Hall Studio)
6 pm: Eat, Drink & Draw at Heritage Exchange
_*please note that Eat, Drink & Draw is not an official event. This is
simply a suggested opportunity for sketchers to gather at a place to
do as the name implies. Please bring valid ID and your Sketchfest
pass._
SUNDAY 7 JUNE 2020
8:30 am: Briefing at Drill Hall Studio
9 - 11:30 am: Workshop
2 - 5 pm: Sketch walk (departs from The Drill Hall Studio)
6 :30 pm: Closing event
WHILST NOT OFFICIALLY PART OF SKETCHFEST YOU MIGHT ALSO LIKE TO JOIN
USK TOWNSVILLE FOR THIS:
MONDAY 8 JUNE 2020
9:30 am - 3 pm: Sketch walk on Magnetic Island with Urban Sketchers
Townsville.
*ferry /bus ticket not included
_Feel free to join Urban Sketchers Townsville for a sketch walk around
Magnetic Island on the Monday after Townsville Sketchfest. We’ll
sketch from Alma Bay for the relaxed drawers and the Forts Walk for
the fitter types. Then on to Horseshoe Bay for some lunch. Please note
this is a regular Urban Sketchers meet so is free for all to join and
not an official part of the Townsville Sketchfest. You will need to
purchase your own Sealink ferry and bus ticket. Join Urban Sketchers
Townsville group on Facebook for details of the event. _
For further information please email : Townsvillesketchfest@gmail.com
or phone Michael Pope on: +61 409 871 977
TOWNSVILLE SKETCHFEST is supported through the Regional Arts
Development Fund, a partnership between the Queensland Government and
Townsville City Council to support local arts and culture in regional
Queensland.
TOWNSVILLE SKETCHFEST would like to further thank all sponsors,
volunteers and in kind supporters including The Hotel Grand Chancellor
Townsville, Sealink, The Drill Hall Studio, PechaKucha Townsville,
Urban Sketchers Townsville, Heritage Exchange, Dave's Pizza Ovens,
Tonoirs Espresso Bar and Insideout Architects.
_Banner image credit: Gerald Soworka_
GAI COPEMAN (TOWNSVILLE)
LETTING LOOSE IN THE TROPICS
Often when travelling there is no time to do detailed images of places
we visit. This workshop will focus on creating images that evoke the
atmosphere of the place. We’ll look at techniques that create loose
impressions in watercolour and therein capture the memory of the
places we visit.
GAI COPEMAN is a local artist whose medium is watercolour. She is a
keen traveler and plein air painter, who never misses the opportunity
to paint wherever she is visiting.
Gai has taught watercolour workshops and is a member of the Townsville
Watercolour Group. She has had solo exhibitions and participated in a
number of group exhibitions winning a number of awards for her work.
Her paintings are held in private collections throughout Australia and
overseas.
MATERIALS LIST:
* 300 gsm A4 watercolour paper or pad (cold press)
* watercolour paints and a range of brushes
* a 2B pencil and or pen
* a water container
* a board with clips or masking tape to hold the paper down
FREQUENTLY ASKED QUESTIONS
WHAT DOES MY TICKET GET ME AND WHICH ARTIST'S WORKSHOP IS WHICH DAY?
Your ticket entitles you access to all listed events as well as the
selected workshops on your ticket. Please note the order of the
artists' names on your ticket. The first artist's name indicates
Saturday's workshop and the second artist's name indicates Sunday's
workshop. The workshops have been programmed so you have one workshop
with a visiting artist and one with a local artist. Any food, drinks
or transport is your responsibility though.
WHAT'S A SKETCH WALK?
During these events feel free to sketch anywhere along the defined
route. It's an opportunity to sketch with friends or follow an artist
you like as you explore Townsville's built and natural environments.
Do one drawing or multiple; there are no rules other than to draw en
plien air (outside). At the end of the sketch walk all sketchers are
encouraged to gather at a predetermined point for a 'throw down',
which is basically a group photo opportunity and chance to look at
everyone's sketches. You'll receive a map with the sketch walks when
you register on Friday 5 June 2020.
HOW FAR ARE THE WORKSHOPS FROM THE VENUE?
The workshops are located all within a comfortable walking distance
from the Drill Hall Studio (between 5 - 15 minutes walk). Each morning
at 8:30 am you'll meet your workshop group and walk there together. If
you'd prefer to drive you can find out the location from your
instructor at the morning briefing and meet them there.
DO I NEED TO BE ABLE TO DRAW?
All levels are welcome and encouraged. The workshops and events are
designed for all skill levels. Honestly, it's just practice so come
and give it a go. You'll find the community of Urban Sketchers to be
very welcoming and supportive.
WHAT SHOULD I BRING?
Check out the materials list under each artists' bio. You'll need
those materials and whatever you usually sketch with. Even though it's
winter in Townsville the weather will be quite warm during the day.
You'll need a hat, sunscreen, water and most sketchers like to bring a
stool.
WHAT'S PECHAKUCHA 20 X 20?
PechaKucha (Japanese for “chit chat”) is the world’s
fastest-growing storytelling platform, used by millions around the
globe. 20 slides. 20 seconds of commentary per slide. That’s it.
Simple. Engaging. Spurring authentic connections. PechaKucha is the
ideal tool to share passions and drop some knowledge. At TOWNSVILLE
SKETCHFEST each tutor will present about themselves in PechaKucha
style!
Watch some here: https://www.pechakucha.com/
[https://www.pechakucha.com/]
WHAT'S EAT, DRINK & DRAW?
This is not an official event but is an informal opportunity where you
can sketch with old or new friends at a local pub. The location is the
Heritage Exchange, 151 Flinders St, Townsville. Please ensure you have
valid ID and your Sketchfest pass to gain entry and, of course, you'll
have to buy your own food and drinks.
WHAT ABOUT MAGNETIC ISLAND?
It's so worth it! Please. Please. Please make at least a day for this
amazing place.
You're welcome to join the Urban Sketchers TOWNSVILLE GROUP ON MONDAY
8 JUNE 2020 OVER ON THE ISLAND. We'll do a sketch walk in Alma Bay.
It's just a short ferry and bus ride away. More adventurous
individuals might like to walk from the ferry to Alma Bay and sketch
along the way or go straight to the Forts Walk for some WW2 history,
epic views and maybe a koala or two! After sketching feel free to join
us in Horseshoe Bay for some lunch before heading back to TOWNSVILLE.
You'll just need to buy a return ferry and bus ticket. Join Urban
Sketchers TOWNSVILLE FACEBOOK GROUP TO REGISTER FOR THIS. It's free as
this will be a regular USk event (Urban Sketchers) but you will need
to get a return ferry and bus ticket. You can purchase this online at:
https://www.sealinkqld.com.au [https://www.sealinkqld.com.au/]
WHERE SHOULD I STAY?
That's completely up to you and your budget; anywhere in Townsville
CBD or North Ward would be within walking distance to The Drill Hall
Studio. The Hotel Grand Chancellor are our official sponsor and are
putting our artists up for free so we'd love it if you supported them.
culture
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