DOORS 1PM // KITCHEN OPENS 1PM // SHOW STARTS 2PM Kristina Olsen is
one of the most entertaining and compelling performers on the
international acoustic circuit. A superb multi-instrumentalist
(acoustic guitar, steel-body slide guitar, saxophone, concertina,
banjo, mandolin and piano) as well as an award-winning songwriter with
a big bluesy voice, Kristina has audiences around the world coming
back for more. Her mix of powerful songs ranging from sassy bottleneck
blues to lilting ballads to swing jazz to raunch and roll (as well as
her hilarious storytelling) makes for a diverse and satisfying musical
experience, on stage, on disc and in book. Born in San Francisco and
raised in Haight-Ashbury during the 1960's, Kristina's approach to
music and life was formed by that environment of vital cultural
expression, social activism and diverse musical influences. She now
calls Venice Beach, Los Angeles home but rarely sees it from touring
ten months a year. With thirteen recordings under her belt (four on
the Philo/Rounder label), a live DVD and an enhanced eBook with music,
(They Paid Us in Tub Time), 2014 sees the release of ‘Sweet
Stillness’ an album of co-writes between folk/blues songwriter Olsen
with Canadian jazz guitarist/composer Bill Coon. This new combo enters
a brave new world, neither jazz nor singer-songwriter. Art music at
its best without conforming to expected genres. Fresh, weird,
beautiful and familiar all at the same time. Olsen’s songs have been
covered by such respected artists as; Eric Bibb, Fairport Convention,
Maddy Prior, Mary Coughlan and Mollie O’Brien. Olsen has also worked
as a session musician on numerous artist’s albums including playing
the hammered dulcimer on Michelle Shocked’s album 'Short Sharp
Shocked' on PolyGram and touring as Mary Coughlan’s guitarist in
2005. Her song “In Your Darkened Room” was used in the film
“We’ll Always Have Dingle”, a documentary about an Irish Film
Festival. Olsen has performed as a multi-instrumentalist in plays for
the Mark Taper Forum in Los Angeles’ Music Center. Olsen won the
Kerrville Song writing award her song for battered women, 'I'm Keeping
This Life of Mine' Olsen is the modern day troubadour, touring up to
ten months a year. She regularly tours to Australia, Scotland,
England, New Zealand, Canada and the USA. In more exotic locations,
she has performed concerts in, Bangladesh, Norfolk Island, New
Caledonia and once caught a snow-mobile drawn sled over a frozen lake
to a concert in Aleknagik, Alaska. Olsen has been part of a
songwriters' group for over three decades and has taught songwriting,
slide guitar and dance for musicians at adult music camps from Alaska
to NYC to the UK to Australia for over a twenty years. Olsen is a
frequent contributor to Acoustic Guitar magazine, writing articles on
guitar and performance technique. Olsen graduated from Berklee College
of Music in 2020 with a dual major in guitar and
orchestration/arranging. www.KristinaOlsen.net PETER GRAYLING Cello
'It's not often that a fine classical player also turns out to be a
great improviser with a solid grounding in folk, blues and rock 'n'
roll' Cello, mandocello and mandolin player Peter bends classical
technique to his own ends, plucking and bowing a solid driving bottom
line and then taking soaring solos to unexpected places. Peter's
particular talent for weaving the cello around a voice has led to
regular collaborations with some of Australia's folk scene's leading
singers. In November 1997 he first toured as a duo with Kristina
Olsen. After this tour the pair recorded a CD 'Duet' released in
Australia in March 1998 and their musical partnership has continued
with 'Truth of a Woman', Live CD 'All Over Down Under', 'In Your
Darkened Room' and a live DVD Peter has played at most of the major
Australian festivals and his flair for picking up a tune on the spot
has led to Peter participating in some of the most memorable on-stage
jam sessions, making great musical moments with blues greats Phil
Manning, Matt Taylor, The Backsliders and Damon Davies, mandolin
marvel Andrew Clermont, klezmer violinist Ernie Gruner, the Sensitive
New Age Cowpersons and many more, including making beautifully
meditative duets with shakuhachi master Riley Lee. TICKETING INFO
Please have a digital or printed copy of your ticket ready on arrival
along with a valid photo ID. Acceptable ID includes a current and
valid Australian Photo Drivers Licence, State Approved ‘Proof of
Age’ card or Passport. The Brunswick Ballroom strives to improve our
practices when it comes to sustainability and to reduce our carbon
footprint. We don’t sell or provide plastic water bottles. VENUE
INFO THE BALLROOM MENU The kitchen will be serving The Ballroom Menu
for this show. You can view the delicious offerings available by
clicking here. ACCESSIBILITY The Brunswick Ballroom is Accessible.
The Brunswick Ballroom has made significant improvements to
accessibility by installing an Acorn Chairlift. (Model: New Acorn
Indoor 180 Curved Stairlift.) Companion Tickets Accepted Accessible
Seating can be purchased by entering this code before selecting your
tickets: BBACCESS25 Accessible Seating ensures a reserved seat for
both you and your companion. Premium Accessible Seating ensures a
reserved table and includes one complimentary meal for both you and
your companion from the Selfish section of our menu. Companion tickets
must be valid and will be checked upon entry into the venue. VENUE
FAQS To find out more about the venue, FAQs can be viewed by clicking
here.
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23/03/2025 Last update