This event will host talks from artists and researchers presenting AI
technologies and their creative applications. Event schedule: 18:00
Arrival 18:30 Introduction by curator Luba Elliott and venue host
Subaita Rahman 18:35 Piotr Mirowski, Google DeepMind and Improbotics:
'Making Stuff up with LLMs and Staging AI as an Improv Partner' 19:00
Diana Alina Serbanescu, Transdisciplinary Performance Artist &
Lecturer at UAL CCI: Acts of Poetic Embodiment 19:25 Atay Ilgun,
Artist & Curator, Neural Folklore & Other Realities 19:50 Talks
finish, networking 20:30 Event close This event is held
at IDEALondon – a workspace for early teams and operators in
science and tech. Founded by UCL Engineering and managed by WilbeLAB,
they're home to London’s most ambitious builders. Learn more about
their community, event space, and memberships. — More on talks and
speakers: Piotr Mirowski, Google DeepMind and Improbotics: 'Making
Stuff up with LLMs and Staging AI as an Improv Partner' The term
“robot” first appeared in Karel Čapek’s 1920 play R.U.R., but
it took 80 years of technological progress to bring robots into live
performances alongside actors. The coexistence of naturalism and
artifice, of script and improvisation, allowed theatre companies to
explore human-AI relationships, while the impressive developments in
language and image models have both opened new creative possibilities
for artists and surfaced ethical concerns. I will discuss AI as a
creativity support tool, focusing on live performance with generative
AI. Piotr Mirowski is the Director of Improbotics, a theatre company
that pioneered improvisation with artificial intelligence and robots
on stage, investigating the intersection of AI and human creativity.
Piotr is also an AI researcher, currently Senior Staff Research
Scientist at Google DeepMind and Visiting Researcher at Goldsmiths,
University of London. Diana Alina Serbanescu, Transdisciplinary
Performance Artist & Lecturer at UAL CCI: Acts of Poetic Embodiment In
her talk, Diana Alina Serbanescu aka Neranti will present her artistic
practice, which is a quest for poetic embodiment and utilises
dance-theatre and the creation of innovative technological artefacts.
She will explore ideas and techniques framed by community engagement
and feminist approaches to knowledge creation. Her works, each
building upon the last, involve chance discoveries and emerging
pathways, contributing to an ever-evolving practice. Diana Alina
Serbanescu aka Neranti is a transdisciplinary performer, new media
artist, and researcher. In her performance work, Diana creates a new
poetic language in which the power of the expressive body is enhanced
by hybridisation with the machine. Diana is currently active as an
academic researcher and lecturer in Creative Robotics at the
University of the Arts, London and continues her artistic practice as
a choreographer, performer, and artistic director of REPLICA, an
artistic platform she co-founded in 2017. Atay Ilgun, Artist &
Curator, Neural Folklore & Other Realities This talk will focus on
Atay Ilgun's music and artistic practice since 2016. His work examines
AI’s function as both instrument and interlocutor and foregrounds
its use in the creation of allegorical but real objects designed to
trigger hallucinatory feedback loops, speculative systems of lore and
machinic world-building. The talk will further consider the
convergence of AI and blockchain through the lens of experimental,
decentralised system design, reflecting on their implications for
authorship, agency, and aesthetics in contemporary art practice. Atay
Ilgun is a London-based artist, creative technologist, and curator
whose work navigates the psychic and aesthetic dimensions of AI,
blockchain, and experimental media. Rooted in cyber-folklore, machinic
poetics, and reality systems, his practice explores how emerging
technologies distort and reconstruct myth, identity, and perception.
He has worked at IKLECTIK, performed at the University of the Arts
London, and collaborated with organisations such as Moth Quantum, and
has seen work featured in Most Dismal Swamp, The Wire, BBC, Café OTO
and CLOT Magazine.
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17/07/2025 Last update