Shitkid

Blacks' Myths (solo) Most recently in DC, Blacks' Myths did a special set of blackadelic electric noise prose as an answer to the call for action against ICE. The same fire continues in this special solo performance of Blacks' Myths. Knife Wife Minimalistic music monkeys churning out disconcerting melodies. A gaggle of goofy creatures dancing like heathens to their own yelps for help. The diary of a teenybopper translated and recited by freaks. This and more in the foreboding and mirthful sounds of Knife Wife. ShitKid Few bands do things so fiercely on their own terms as ShitKid. When Åsa Söderqvist began making music under the name back in 2015, her appeal lay within her intense punk ethic, which saw her bucking trends at every turn as she slipped seamlessly between genres - there was a sense that the ShitKid sound was defined not by one unifying aesthetic, but rather whatever it was she felt like trying her hand at on any given day. The early results were exhilarating, with praise from across a music press equally confounded and beguiled by her fearlessness. There’s a reason why Bandcamp called her. “the weirdest musician in Sweden”, and it’s probably best explained by what Beat Magazine went on to say about her: “it’s fully possible that no one has ever sounded like they give less fucks than ShitKid”.