Saxophonist John Wojciechowski is an urban musician through and
through. He grew up and developed his powerful tenor sound in
Detroit—“a really rich community with a lot of great players,”
he says—and since 2002 has thrived in Chicago, working alongside
some of the best players in the city. So why does he live way the heck
out in the Windy City’s western suburbs in a place called
Bartlett—where it takes a good half-hour to even reach one of the
highways leading into the city? And does being so far away from the
action have an impact on his music? The answer to the first question
is that “Wojo,” as he is known, teaches high school in the
historic river town of St. Charles—no doubt one of the only jazz
musicians of his caliber who can make that claim. The answer to the
second question is that being out and away from all the noise and
congestion isn’t such a bad thing for an artist. It helps you to . .
. focus. It certainly helped Wojciechowski concentrate on the making
of Focus, an impressive step up from his previous album, Lexicon, as
good as it is. Boasting seven strong original compositions, each one
reflecting a different aspect of his style and personality, Focus is
one of those supremely enjoyable albums that treats the mainstream not
as a comfort zone but a central place from which to push stylistic
boundaries and assert original ideas.
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19/09/2019 Last update