The Jacks at Rams Head On Stage in Annapolis All shows are 21+ unless
otherwise specified. Any tickets suspected of being purchased for the
sole purpose of reselling can be cancelled at the discretion of Rams
Head/Eventbrite. All sales are final. Rams Head does not offer
refunds. Refunds are only available for cancelled shows. When it comes
to playing rock & roll, The Jacks simply don't have a choice. "It's
what we listen to, it's what we play," bassist Scott Stone says, "and
when you stick four guys like us in a garage with instruments, it's
just the kind of music we are going to make." The group has recorded
their first EP with producer Matt Wallace (Maroon 5, Faith No More) at
Los Angeles' famed Sunset Sound Recorders. But even though they've
been playing together for only a couple of years, rock has been The
Jacks' lifeblood for as long as they can remember. As Wallace
declares, “The Jacks deliver up lean, rugged rock & roll with songs
that feel like instant classics that make you want to move, with
earworm hooks and melodies that will have you kinda upset when you
find yourself unintentionally and inappropriately humming their songs
at work, in church, in court, or at wakes. If the The Strokes, Cage
The Elephant, and The Rolling Stones had an equally talented, but more
handsome baby, it would be named The Jacks!” They've spent much of
the last year on the road all over the U.S. including a slot on the
Sonic Temple festival, playing alongside Foo Fighters, The Hives, The
Struts, and many others. "There isn't an end goal for us, we just want
to continue to write the music we love, share it with as many people
as possible, and hopefully be remembered for it," Hunter says. "We
hope that we can one day inspire other musicians to do the same. Oh
... and we want to sell out Wembley." Official Website | Facebook |
Instagram | Twitter The Cuckoos The bittersweet incandescent shimmer
of The Cuckoos is deeply rooted in classic rock, dance club funk, and
neo-psych art soul, earning the young Austin, Texas band a remarkable
reputation in just a few short years. The swampy groove arising from
the collision of New Wave romanticism, swirling experimentalism, and
loud punky guitars is somehow as perfect as it was improbable,
decisively demonstrated on record and stage. I Hate Love, the band’s
debut album, is a musical manifesto. The diverse ten-song outing
crackles with the electricity of The Cuckoos coming into their own.
It’s all a result of the combustible chemistry between Kenneth
Frost, Dave North, Eric Ross, and Cole Koenning developed in New York,
California, Mexico, the UK, and of course, the Lone Star State. The
band’s first self-titled EP earned favorable comparisons to Tame
Impala, Joy Division, and Pink Floyd, from esteemed publications like
Classic Rock Magazine and Relix. I Hate Love is rooted in their primal
psych-rock post-punk soul but broadens its scope. It’s a new
signature sound, one that will appeal equally to folks weaned on
essential art-rock like Talking Heads and those attracted to
retro-future acts like Uncle Acid and the Deadbeats. Official Website
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04/04/2020 Last update