At MFA Boston, Brooklyn-based composer and cellist Clarice Jensen
plays music from her gorgeous sophomore release "The experience of
repetition as death" (130701/FatCat), alongside video art by Testu
Collective (Dan Tesene and Serena Stucke). Jensen's music has been
described by Boomkat as "languorously void-touching ideas, scaling and
sustaining a sublime tension," and by Bandcamp as, "a kaleidoscope of
pulsing movement rich in acoustic beating and charged with other
psychoacoustic effects, constantly shifting in density and viscous
timbre." "The experience of repetition as death" is a warm, deep and
cyclical album that explores notions of repetition in both its
conceptual underpinning and musical structure. Unlike the easily
readable step builds and grid-locked looping of so many artists using
the looper as a compositional tool, Jensen's loops slide across one
another in organically morphing structures; align and intersect at
different moments, yielding a kind of aleatoric yet minimal
counterpoint, with joins overlaid in ways that appear seamless and
sophisticated. A versatile collaborator, Clarice Jensen has recorded
and performed with a host of stellar artists including Johann
Johannsson, Max Richter, Bjork, Nico Muhly, Arcade Fire, Jonsi,
Tyondai Braxton, Dirty Projectors, Blonde Redhead, Beirut, and Nick
Cave. She has recently scored two feature films - Takeshi Fukunaga's
Ainu Mosir which premiered at the 2020 Tribeca Film Festival, and
Fernanda Valadez's Sin Señas Particulares (Identifying Features), an
award winner at the 2020 Sundance Film Festival. She is the founding
artistic director of the American Contemporary Music Ensemble.
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13/04/2020 Last update