Before Yeast Nation, there was Urinetown. God only knows what’ll be
next. Mark Hollmann and Greg Kotis’ URINETOWN is an hilariously
subversive fable of greed, corruption, love, revolution, and
urination, in a time when water is worth its weight in gold and
there’s no such thing as a free pee. Set in a near-future dystopian
Gotham, a severe 20-year drought has led to a government-enforced ban
on private toilets. The citizens are forced to use public
“amenities” now, regulated by a single malevolent company that
profits by charging admission for one of humanity’s most basic
needs. In this nightmare world, the punishment for an unauthorized pee
is a trip to the dreaded URINETOWN. But from the ruins of Democracy
and courtesy flushes, there rises an unlikely hero who decides he’s
held it long enough, and he launches a People’s Revolution to lead
them all to urinary freedom! Inspired by the outrageous political
theatre of Bertolt Brecht and Kurt Weill, and (very) loosely based on
the writings of late eighteenth-century political and economic
theorist Thomas Malthus, URINETOWN is a gloriously silly, irreverently
truthful satire from which no target is safe. This is a show that
catapults musical comedy into the new millennium with its
rule-shattering tear through the traditions and conventions of musical
theatre, leaving nothing but uncontrollable laughter and a great big
puddle in its wake. And that’s just Act I.
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12/06/2020 Last update