Saturday, June 06
Show | 8pm // Doors | 7pm
__ $32 / Day Of : $35
__ Cat’s Cradle [https://catscradle.com/venue/cats-cradle/]
RSVP on Facebook [https://www.facebook.com/events/3855270501151575/]
Cancelled
A message from Bombay Bicycle Club:
We regretfully need to cancel our North American tour dates in April,
May and June. While we don’t know when things will return to normal,
it doesn’t feel right for our fans or the band and crew to be
congregating in venues when Covid-19 continues to impact so many
lives. As soon as we’re confident that it’s safe to play more
shows we’ll look to organize new tour dates. Refunds will be
available at point of purchase.
We know it’s not easy to be isolated from the people and places you
love. We’ve been posting playlists on our socials that can hopefully
help you pass a little time and we’re working on other things we
hope to share with you soon.
Lots of Love
Bombay xx
It might seem odd to describe Bombay Bicycle Club as veterans given
that nobody in the band is older than 24, but this is the London
quartet’s fourth album, each one more successful than the last,
which is a notable achievement in today’s climate of rapid ascents
and sudden declines. Their steady rise is something that rarely
happens anymore — a band given space by their label, Island, to
evolve unpredictably with each release and take their audience with
them.
So Long, See You Tomorrow is their richest, boldest and most euphoric
album yet, and their first UK number one. This autumn, following a
string of international festival appearances including Glastonbury,
Reading/Leeds, Latitude, Fuji Rocks and Lollapalooza, the band will
play their first ever UK arena date at London’s Earls Court. They
have a healthy, ever-growing following in continental Europe and the
US, too, with all of their dates having sold out. The more risks
Bombay Bicycle Club take, the bigger they get.
“I feel like we’ve found the balance, making it interesting and
intelligent but not highbrow or elitist,” says frontman Jack
Steadman. “You want to satisfy the people who like the technical
side of music but someone listening on the radio should be able to
sing along.”
Bombay Bicycle Club are Jack Steadman (vocals, keyboards and guitar),
Jamie MacColl (guitar), Suren de Saram (drums) and Ed Nash (bass).
They grew up in north London and signed to Island after leaving
secondary school at 18, releasing their guitar-driven debut, I Had the
Blues But I Shook Them Loose, in 2009. Their second album, Flaws, in
2010, saw an unexpected change of direction: folky and intimate, it
was nominated for the Ivor Novello for Best Album. Their third album
in as many years, A Different Kind of Fix, arrived in 2011. Living up
to the title’s promise, it was a dramatic departure, with agile
rhythms, sampled loops and vertiginous swirls of guitar.
So Long, See You Tomorrow is yet another leap forward, a beautiful
collection of songs that owe more to experimental electronica than to
indie-rock. In fact, the whole album is one giant loop, because it is
bookended with the same melody — the beatific title track
effectively segues back into the surging, string-laden opener,
Overdone. Compounding the sensation is the last lyric the listener
hears: “Keep going round and round and round…”
Jack, who writes all the band’s songs, can trace his absorption in
loops to the first music he made as a teenager, using a simple
pre-GarageBand software program called eJay. “Everyone talks about
how our albums have been different, but from my point of view, this
was there the whole time,” says Jack. “I started recording music
at 15 on my computer and it was far more experimental than any of the
Bombay stuff.” (This he attributes to “getting into stuff like
Boards of Canada and discovering psychoactive drugs — a lethal
combination!”)
Rhythm is the key to So Long, See You Tomorrow. The show-stopping
first single, “Carry Me,” is a tough, restless dance anthem, its
vocal refrain looped like a sample. Echoing the album’s theme of
circularity, the interactive video, which allows viewers to animate
the band, was inspired by the great 19th century stop-motion
photography pioneer Eadweard Muybridge.
Links: Website [https://bombaybicycle.club/] | Facebook
[https://www.facebook.com/bombaybicycleclub] | Twitter
[https://twitter.com/BombayBicycle] | Instagram
[https://www.instagram.com/bombayinsta] | Spotify
[https://open.spotify.com/artist/3pTE9iaJTkWns3mxpNQlJV?si=zpKJBMI3QWedQXSCfauDKw]
| YouTube [https://www.youtube.com/channel/UCTmVnjXgqOwBYPXMXUrMj6Q] |
Apple Music
[https://itunes.apple.com/gb/artist/bombay-bicycle-club/213629334?app=music&ign-mpt=uo%3D4]
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07/06/2020 Last update