In conjunction with University of the Arts’ exhibition Invisible
City: PHILADELPHIA and the Vernacular Avant-garde curated by Sid Sachs
with Jennie Hirsh, Alex Da CORTE AND KATE WATSON-Wallace will reinvent
KAPROW'S CHICKEN IN THE SAME LOCATION IT WAS ORIGINALLY PERFORMED, now
known as the Gershman Hall of University of the Arts. CHICKEN
VARIOUSLY DRAMATIZES, commodifies and deconstructs the trope of the
CHICKEN. In 1962, the work was staged on ad-hoc wooden stands and
booths with “pitchmen” plucking real CHICKEN FEATHERS, live
CHICKENS BEING VACUUMED, people behaving like CHICKENS, records with
CHICKEN SOUNDS and so on. In 2020, CHICKEN NO LONGER PROMISES THE
"new vocabulary" it once did. Rather, Da CORTE WILL STAGE A
PROGRESSIVE, animal-friendly reconsideration of what the
“avant-carnival” originally considered itself to be.
CHICKEN WILL FEATURE KRISTEL BALDOZ, Melanie Cotton, Danielle Currica,
Julia Eichten, Jessica Emmanuel, Ya-Ya Fairley, Ann-Marie Gover, Imma,
Andrew Smith, Kim Thompson, and Wilmer Wilson along with Kate
Watson-Wallace and Alex Da CORTE; with music composed by Marco
Buccelli and Xenia Rubinos, performed with Sunny Ali and Karna Ray.
CHICKEN FEATURES A NEWLY COMMISSIONED TEXT BY ROSALYN DREXLER. To
learn more about CHICKEN, visit http://chicken-happening.org
[http://chicken-happening.org] Support for the Invisible City
Symposium and Chicken has been provided by the Edna W. Andrade Fund of
the Philadelphia Foundation. Support for the research,
development and presentation of Invisible City has been provided by
The Pew Center for Arts & Heritage. Visit uarts.edu/invisiblecity
music
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06/03/2020 Last update