Welcome to OUTLINE WORKSHOP! This is a weekly WORKSHOP DESIGNED TO
HELP YOU REFINE YOUR SCREENPLAY OUTLINE USING CONOR KYLE S PRACTICAL
STORY DEVELOPMENT PROCESS.This event is completely free and open to
everyone. Space is limited, so be sure to hit the RSVP button. Then
join us in the WORKSHOP CHANNEL ON SCRIPT CAMP DISCORD (
https://discord.gg/kQfrX3R7Zy [https://discord.gg/kQfrX3R7Zy] )
If you d like to WORKSHOP YOUR OUTLINE PLEASE POST IT IN THE #OUTLINES
CHANNEL ON THE SCRIPT CAMP DISCORD ( https://discord.gg/Kv827aqw6q
[https://discord.gg/Kv827aqw6q] ) along with your title and logline
and we will review them in the order received. You should already have
a very solid logline and either a rough Story Beats Outline or a more
detailed Scene Cards Outline. If you need help with your logline,
please drop by the weekly Logline Workshop meetup on Friday.
See below a breakdown of the story development steps Conor teaches. If
you complete each step properly, it makes the next step a lot easier:
1. The first step is to take your rough idea and develop this into a
solid logline that can sustain a feature film. (Or if this is a TV
pilot, you need to develop a series logline and a pilot logline.) Here
s an example logline template from Conor: “When (INCITING INCIDENT),
a (ADJECTIVE) (PROTAGONIST) must (CONFLICT) before / or else (STAKES
or TICKING CLOCK).” It s difficult to perfect a logline by yourself.
Usually this requires some help and feedback from fellow writers.
2. The second step is filling up your sketchbook. This can be google
docs, Evernote, MS word, whatever you use for notes. Brainstorm lots
of fun ideas for scenes, develop your theme, anti-theme and flesh out
your characters. Whatever sort of notes and doodling process you need
to develop your story. Some writers find it helpful to collect photos
and artwork at this stage as well.
3. The third step is to break out your story into beats and develop a
Story Beats Outline with estimated pages for each section and a list
of scenes. If you are writing a 90 page script, for example, your
Story Beats Outline is going to have sections something like this,
with a list of scene breakdowns in each section.
Intro (1-10):
Catalyst (10):
Debate (10-20):
Break into 2 (20):
Fun and Games (20-45):
Midpoint (45):
Bad Guys Close In (45-60):
All is Lost (60):
Dark Night of the Soul (61-70):
Break Into 3 (70):
Finale (70-90):
4. The next step is called a Scene Cards Outline. This is a detailed
prose description of what happens in every single scene (not
sluglines, but dramatic scenes), with estimated page count for each
scene, dialogue excerpts and as much as you can of the action
description that will end up in your first draft. This stage of your
outlining process should feel more like writing than outlining. You
are getting the heavy lifting out of the way, so that when you sit
down to start the first draft, the pages are going to fly very
quickly.
FAQ:
Q: I have no idea how to create a screenplay OUTLINE. Is it okay if I
just join to listen and learn?
A: Absolutely! This workshop is entirely free and everyone is welcome
to join.
Q: My writing is ____ genre, is that okay?
A: Yes! Bring your outline for a feature film or TV Pilot, whatever
genre you re working on.
Q: I don t have a solid logline yet.
A: If you re having trouble with your logline, drop by our weekly
Logline WORKSHOP ON FRIDAY OR POST YOUR LOGLINE IN THE
#ideas-and-loglines channel for feedback on the Script Camp Discord (
https://discord.gg/E2sDHGfwG8 [https://discord.gg/E2sDHGfwG8] ).
Q: I m worried that my OUTLINE SUCKS, should I still bring it?
A: Rough drafts and outlines are always rough. Nobody will be perfect.
We re here to support you, which means pointing out the parts that are
awesome and providing honest feedback for improvement.
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28/09/2021 Last update