Ristic 's approach to directing makes use of all means of classic puppet theater in order to fully satisfy the poetic character of Mozart 's style.
This "opera of operas
composed by Mozart in Prague and also
especially for Prague, represents a‘ fusion
of comic and serious opera genres. It is a
story of a rebel protesting against all
divine and human orders. Human longing
for eternity and the never fulfilled search
for love.
In this piece Mozart
incorporated all possibilities of the music
theater of his times. On one hand, there
are lovely arias, which have almost a
character of popular songs, and on the
other; there are dramatic and passionate
parts.
Mozart 's music represented
the peak of the opera style of its time and at
the same time it became a model of new
dramatic music theater in the future. The
fact that this work was composed for
Prague demonstrates how Mozart
appreciated and loved Prague and its
cultural life.
Ristic 's approach to directing
makes use of all means of classic puppet
theater in order to fully satisfy the poetic
character of Mozart 's style. Variations on
puppet techniques enable a variability of
scenes that attract spectators' attention
and make for various styles of puppet
performance, full of creative
inventiveness.
First, there are flat figures of
orchestra musicians, then shadow theater;
"javajka "puppets, marionettes and finally
tiny puppets in a scene when Don
Giovanni and Leporellov encounter
Komtur and become tiny human insects.